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  3. Ad Play Evidence
Feature · Ad Play Evidence

Ad Play Evidence

Compare scheduled spots with their recorded play times and content.

OverviewAd Play Logs Awaiting Play Evidence
Radio Station Management · Ad Play Evidence

Ad Play Logs Awaiting Play Evidence

Ad play logs

New
Campaign referenceSpot identifierScheduled atPlayed atOperational record
CR-347SI-52922 Oct24 OctCI-1369
CR-591SI-99321 Oct27 OctCI-3820
CR-278SI-74009 Oct18 OctCI-5801
CR-436SI-74819 Oct21 OctCI-6301
CR-580SI-78916 Oct22 OctCI-8439
6 of 6 records
CR-347Ad play logs · APL-79472
Spot identifierSI-529
Scheduled at22 Oct
Played at24 Oct
Operational recordCI-1369
Example screen with sample data

What you can do

Connect the spot to content

An ad play log records the campaign reference, spot identifier, scheduled time, played time, duration and related content item. The traffic coordinator uses that combination to recognize which creative was planned and whether a play has evidence. The content link matters when several versions or pieces share a campaign name. It gives the station a path back to the item’s owner and attached files.

The saved Ad Play Logs Awaiting Play Evidence screen focuses attention on logs that need a played result. Its reconciliation list and detail views support a quick queue and a closer inspection of the same record. A scheduled timestamp states the expected play; the played timestamp records the observed time. Reviewing both is more useful than treating a broadcast slot’s Aired status as proof that a specific spot ran.

How the work is organized

The traffic coordinator records and reviews the play evidence; the station manager checks unresolved exceptions.

  • Identify the spot. Keep campaign reference and spot identifier together.
  • Compare the times. Review scheduled and played timestamps on the same log.
  • Return to the creative. Use the content reference to inspect the item behind the play.

What to agree during setup

Decide the source of played evidence and who is allowed to enter a correction. Agree how the campaign and spot identifiers correspond to the station’s traffic naming. Set the time zone for scheduled and played timestamps and decide what a missing played time means operationally. Bring a sample of an on-time play, a delayed play and a planned spot with no observed play, then check how each appears in the reconciliation queue.

Check the handoff on an actual case

A traffic coordinator records a spot scheduled during an afternoon program. The log has the campaign reference and spot identifier, a scheduled time, planned duration and the content item used as its operational record. After the broadcast, the coordinator checks the actual play timestamp against the schedule. The detail view keeps the recorded duration and content link available during that review.

If the played time is absent, the log remains in the awaiting-evidence list for follow-up. The coordinator can identify the exact spot without opening every program in the day’s calendar. When a manager asks what creative was associated with the play, the content reference leads back to its item and files. The investigation stays attached to the log rather than being buried in a general schedule note.

What your team sees

  • Ad Play Logs Awaiting Play Evidence — Find scheduled spots without recorded played evidence.
  • Reconciliation List — Compare campaign, spot and timing across the queue.
  • Reconciliation Detail — Inspect the selected log’s duration and content reference.

Follow the work through

Review the data model before importing historic play logs.

What it keeps track of

Data model
Ad play logs
Logged ad spot plays against content records with scheduled and actual timestamps.
Content items
Individual pieces of content produced under a project, from draft through publication.
Content files
Versioned file assets attached to a content item, with approval attribution.
Broadcast slots
Scheduled programming slots with presenter, air window and broadcast status.

Who uses it

Permissions
Traffic Coordinator
, Station Manager and Admin.
The coordinator works the evidence queue; the manager reviews unresolved items.

Set up Radio Station Management your way.

Start free, then use Proto to change fields, steps and approvals before your team goes live.

How to get started