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- Film Production PM
- Call sheet distribution
- Finance
- External evidence source
PM for Film Production keeps a production's operational scope in Projects and work packages. An organization identifies the production company, a project identifies the film or episodic production, and a work package gives a coordinator a named owner, due date and budget hours.
Work packages in one list
Agree who reviews the current revision and which record holds the decision and reason.
Every feature works on the same records. Pick one to see the screen your team works in.
Place every production package under the right company and project.
Work packages
| Record number | Subject | Accepted at | Revision | Owner | Counterparty | |
|---|---|---|---|---|---|---|
| WP-38552 | Harbor scene location prep | 20 Oct | 230 | Elias Chen | After the Crossing | |
| WP-33311 | Market sequence art build | 30 Oct | 740 | Mina Farouk | Southbound Morning | |
| WP-34020 | Night exterior lighting | 03 Nov | 470 | Nora Castillo | Southbound Morning | |
| WP-55022 | Wardrobe fittings, principal cast | 12 Oct | 860 | Jonah Okafor | The Quiet Estuary | |
| WP-47941 | Sound capture, pier scenes | 29 Oct | 830 | Elias Chen | A House Beyond Winter |
Keep a bounded unit of production work with a named owner and review state.
Acceptance waits for the project coordinator
| Record number | Subject | Status | Revision | Owner | Due at | |
|---|---|---|---|---|---|---|
| WP-78521 | Harbor scene location prep | Review | 430 | Samir Iqbal | 17 Oct | |
| WP-83005 | Market sequence art build | Review | 100 | Theo Mensah | 03 Nov | |
| WP-79782 | Night exterior lighting | Review | 150 | Amira Solis | 21 Oct | |
| WP-48876 | Wardrobe fittings, principal cast | Review | 420 | Mina Farouk | 19 Oct | |
| WP-50883 | Sound capture, pier scenes | Review | 470 | Jonah Okafor | 25 Oct |
Plan a shoot date and keep the call sheet revision beside its review status.
Approval conditions
| Status | Revision | Shoot date | Location | Call sheet revision | Parent | |
|---|---|---|---|---|---|---|
| Submitted | 450 | 30 Oct | East pier fish market | Day 1, revision 1 | Wardrobe fittings, principal cast | |
| Submitted | 630 | 23 Oct | Old orchard farmhouse | Day 2, revision 2 | Harbor scene location prep | |
| Submitted | 440 | 29 Oct | South quay bus depot | Day 3, revision 3 | Wardrobe fittings, principal cast | |
| Submitted | 670 | 23 Oct | Willow Street apartment | Day 4, revision 4 | Harbor scene location prep | |
| Submitted | 530 | 24 Oct | North ridge overlook | Day 5, revision 5 | Wardrobe fittings, principal cast |
Connect package ownership to crew identity and measure task work in hours.
Tasks
| Task name | Due at | Completed at | Planned hours | Actual hours | Parent | |
|---|---|---|---|---|---|---|
| Secure pier access permit | 18 Oct | 22 Oct | 5 | 1 | Sound capture, pier scenes | |
| Dress market stall fronts | 19 Oct | 22 Oct | 1 | 5 | Night exterior lighting | |
| Rig night exterior practicals | 23 Oct | 23 Oct | 12 | 2 | Sound capture, pier scenes | |
| Fit lead character coats | 15 Oct | 19 Oct | 6 | 5 | Sound capture, pier scenes | |
| Test wind protection for booms | 17 Oct | 22 Oct | 4 | 3 | Sound capture, pier scenes |
Keep package evidence and revision details together for review.
Record attachments
| Title | Evidence type | Uploaded at | Visibility | Parent | Uploaded by | |
|---|---|---|---|---|---|---|
| Signed location release | Location release | 28 Oct | Shared | Editorial handoff, block one | Elias Chen | |
| Approved call sheet | Call sheet | 14 Oct | Shared | Sound capture, pier scenes | Nora Castillo | |
| Lighting plot, pier exterior | Camera report | 21 Oct | Shared | Editorial handoff, block one | Mina Farouk | |
| Wardrobe continuity photos | Sound report | 18 Oct | Shared | Final pickup shoot logistics | Dara Nguyen | |
| Sound report, day six | Continuity stills | 13 Oct | Shared | Sound capture, pier scenes | Dara Nguyen |
Start each production review from the work and exceptions that need attention.
Operation receipts
| Operation key | Action | Expected revision | Result state | Occurred at | Parent | |
|---|---|---|---|---|---|---|
| FILM-26-D01-CALL | Publish call sheet | 470 | Failed | 15 Oct | Market sequence art build | |
| FILM-26-D02-REVIEW | Confirm crew call | 740 | Needs Review | 02 Nov | Sound capture, pier scenes | |
| FILM-26-D03-ACCEPT | Upload camera report | 290 | Pending | 03 Nov | Sound capture, pier scenes | |
| FILM-26-D04-REVISE | Request pickup shot | 450 | Failed | 15 Oct | Market sequence art build | |
| FILM-26-D05-CLOSE | Approve daily rushes | 210 | Needs Review | 31 Oct | Second unit travel setup |
Plan and review production work ships ready to use. One step needs a named approval before the work moves on: Review submitted work (Project Reviewer).
Identify the company and production project before work begins.
Name the package owner, due date and hour budget.
Record the date, place and call sheet revision.
Keep completed tasks and attachments with the package.
Agree who reviews the current revision and where to capture the outcome.
Compare operation receipts with their source records and effects.
Open any work package to see its operation receipts, the roles that work on it, its process stages and its approvals on one page.
Due at, Budget hours, Owner and Counterparty.
Each line is linked to this work package.
Project Coordinator, Auditor and Project Reviewer, each with their own permissions.
Set production scope, with the role that acts.
Review submitted work, with who decides.
The Blue Hour Road · Planned
| Operation key | Action | Expected revision |
|---|---|---|
| FILM-26-D01-CALL | Publish call sheet | 470 |
| FILM-26-D02-REVIEW | Confirm crew call | 740 |
| FILM-26-D03-ACCEPT | Upload camera report | 290 |
Agree who reviews a revision prepared by the Project Coordinator and which record will hold the decision.
Signed in as Project Reviewer
| Decision | Approver | |
|---|---|---|
| Review submitted workAgree who reviews the current revision and where to capture the outcome. | Project Reviewer |
Everyone opens Film Production PM to the work that is theirs. Pick a role to see what it starts with.
Prepare assigned operational records and execute eligible reviewed actions.
This is the first screen this role sees.
Shoot days · Project Coordinator
| Status | Revision | Shoot date | Location | Call sheet revision | Parent | |
|---|---|---|---|---|---|---|
| Submitted | 450 | 30 Oct | East pier fish market | Day 1, revision 1 | Wardrobe fittings, principal cast | |
| Submitted | 630 | 23 Oct | Old orchard farmhouse | Day 2, revision 2 | Harbor scene location prep | |
| Submitted | 440 | 29 Oct | South quay bus depot | Day 3, revision 3 | Wardrobe fittings, principal cast | |
| Submitted | 670 | 23 Oct | Willow Street apartment | Day 4, revision 4 | Harbor scene location prep | |
| Submitted | 530 | 24 Oct | North ridge overlook | Day 5, revision 5 | Wardrobe fittings, principal cast |
Read authorized evidence and reports.
This is the first screen this role sees.
Work packages · Auditor
Inspect package revisions and operational evidence.
This is the first screen this role sees.
Shoot days · Project Reviewer
| Status | Revision | Shoot date | Location | Call sheet revision | Parent | |
|---|---|---|---|---|---|---|
| Submitted | 450 | 30 Oct | East pier fish market | Day 1, revision 1 | Wardrobe fittings, principal cast | |
| Submitted | 630 | 23 Oct | Old orchard farmhouse | Day 2, revision 2 | Harbor scene location prep | |
| Submitted | 440 | 29 Oct | South quay bus depot | Day 3, revision 3 | Wardrobe fittings, principal cast | |
| Submitted | 670 | 23 Oct | Willow Street apartment | Day 4, revision 4 | Harbor scene location prep | |
| Submitted | 530 | 24 Oct | North ridge overlook | Day 5, revision 5 | Wardrobe fittings, principal cast |
Maintain organization configuration and membership.
Maintains access to the production workspace and verifies role assignments.
Read production hours, deadlines, decisions and operation exceptions together.
This quarter
How far records got this quarter
| Stage | Reached | Step | |
|---|---|---|---|
| Draft | 33 | ||
| Planned | 11 | 33% | |
| Active | 2 | 18% | |
| Review | 1 | 50% |
Sample totals per stage
Compare task planned and actual hours with the package's budget hours by production and owner.
Find tasks by due date and completion date, grouped by package owner.
Review shoot dates, locations, planned hours and status for each production.
Review shoot day revision, status and decision date alongside its package.
Show each decision, reason, reviewer and source revision for a package.
List attachment type, upload date, uploader and visibility by package.
Group receipt outcomes by action and show failure reasons and expected revisions.
Group work packages under projects and organizations by current status and due date.
See how Film Production PM fits your kind of team.
Each stage of plan and review production work names the role that acts and the status it records, so a change is never anonymous.
Each stage, the role that acts and the status it records
Ask Proto to help configure and inspect production work with human review.
Set up connections through ERP.AI and Proto workflows, with every change logged.
Every record lives in a table you can see, extend and export. Add fields or whole tables in Proto.
Browse all 10 tablesStart with one team and one process, then add the rest once the basics are running.
Create the organization, project and team member records the first operating cycle needs. Confirm codes, time zone, currency and the project contact.
Set a subject, owner, due date and budget hours. Add tasks and a shoot day linked to that package.
Attach evidence with the right visibility and agree who reviews the current revision and which record holds the decision. Follow the package status in the operations view.
Add more packages once the team agrees on ownership, task-hour entry, call sheet revision naming and exception handling.
$0per user
The base account and everyday work in the ERP.AI app are free, for every user.
| Usage | Per $1 |
|---|---|
| Record reads (list, filter, get) | 20,000 |
| Search or aggregate queries | 4,000 |
| Record writes | 4,000 |
| Imported or synced records | 200,000 |
| Workflow runs | 2,000 |
| AI agent runs | 2,000 |
| Scheduled jobs or webhooks | 20,000 |
| File uploads (MB) | 2,000 |
| CSV or PDF exports | 100 |
Click Get started, then use Proto to configure PM for Film Production for your business. Pilot one production, a work package, its tasks and a submitted shoot day before expanding.
It is a bounded unit of production work with a project, owner, due date, budget hours and lifecycle status. Tasks, shoot days, attachments and decisions refer back to it.
Yes. Tasks carry planned and actual hours, and the package carries budget hours. Operations Overview compares task hours by project.
Each shoot day links to its parent package and organization. It records a date, location, planned hours, call sheet revision and review status.
A Project Reviewer examines the submitted shoot day revision and supporting package evidence. Project Coordinator records its status and decision date. Keep the decision date and current revision visible during handoff.
Yes. Record attachments have Internal and Shared visibility choices. Choose deliberately when uploading each item.
The coordinator presents completed tasks and evidence for the current package revision. During setup, agree who reviews that revision and where to capture the decision and reason before acceptance.
Package health, pending decisions, planned versus actual task hours, overdue open tasks and an exception queue linked to source records.
Its receipt keeps the action, operation key, expected revision, result and failure reason. A reviewer can compare it with linked effects and keep a discrepancy visible.
Connect the finance and payroll systems your company uses. This workspace records production scope and hours for that handoff.
Start free, then use Proto to change fields, steps and approvals before your team goes live.